Motivated by natural processes, land art, reticulation and movement, his most recent body of work predominantly experiments with Relief and Monotype Printing techniques using a limited palette. He attempts to manipulate surface and texture to reshape and reinvent landscape, while encouraging chance in the work. Using a restrictive pallet allows him to return to the most basic elements – light and dark, life and death, purity and absence.
Monotype Print on Pewter Canson Board. Museum glass frame